top of page

Press Page

Press Page
Disabled Cabaret! - Breaking Stereotypes through THEATRE

Disabled Cabaret! - Breaking Stereotypes through THEATRE

55:04
March 2025 | Shows by Disabled Artists

March 2025 | Shows by Disabled Artists

03:09
Audience Reactions - Part 1 - Not F**kin' Sorry

Audience Reactions - Part 1 - Not F**kin' Sorry

01:09
074A0473_edited.jpg

Take a look at our Radio Interviews here:

BBC Radio Essex Interview 17.3.25 with liselle and emma on NFSArtist Name
00:00 / 10:49
SIM Ep 795 Pod232: Neurodiversity, charity,and deffo not a NaziStandard Issue Podcast
00:00 / 01:04
BBC Radio Essex Interview - Aaron Paul ShowArtist Name
00:00 / 04:48
26198276_10154937029547062_1336171506177631980_o.jpg

Keziah - Rawd Reviews - April 4, 2025

"It's important people stop judging and help each other instead, everyone is facing battles, so instead of judging one another let's help each other, support each other, and fight against discrimination."
A review detailing the importance of representation and inclusion and Keziah's resonance with the show...

- READ FULL ARTICLE -

3_edited.jpg
printscreen13.png
Screenshot%202021-01-19%20at%2009.44_edited.jpg
nfspaper.png

'Not F**kin Sorry!' has been the centre of a lot of discussion. It is unique in it's impact, showing the very real struggle of disabled individuals whilst refusing to dehumanize or belittle their expirience. Sharing thoughts and opinions is vital to NFS' growth and we love to see engagement with the stories Not Your Circus Dogs tell. 

Want to see more articles?

We were featured in...

Ness, O. Saur, E (2025) Boundary Breaking: Intellectual Disability, Autism, and Theatre, Fagbokforlaget

 

DOI:10.55669/oa6208

 

Based on three theatre companies – Access all Areas Productions from the United Kingdom, Back to Back Theater Company from Australia, and Teater nonSTOP from Norway – the book illustrates a rich and exciting artistic field through examples and images. Here, we encounter actors who move audiences with innovative and, for many, surprising artistic expressions, and who create existential encounters with their audience. The book aims to develop understanding and knowledge about how to conduct skills development and collaborate with actors who have intellectual disabilities, autism, or others who experience barriers to participation. The companies presented challenge power structures both on stage and in the industry, and the current situation is discussed in light of the historical development within the field of disability. In an entertainment industry where both theater and streaming services demand greater diversity, both individual and systemic knowledge are required for actors with intellectual disabilities and autism to receive good working conditions and thereby be able to realize their artistic potential. As Ingrid Lorentzen writes in the foreword to the book: «New generations of artists will be inspired by the work of the artists discussed here. Artists who should not be written into a history of exclusion or opposition, but who, with central artistic contributions, put people first.»

Grensesprenging
Utviklingshemming, autisme og teater

image.png
NFS Brighton-15_edited_edited.jpg
NFS Brighton-15_edited_edited.jpg
bottom of page